Intriguing use of unusual harmony and drones too. House And Land - House And Land (Thrill Jockey) This duo of Sally Anne Morgan and Sarah Louise Henson explores Appalachian folk ballads with a deft touch, making the case for this music as living and breathing rather than simply a recovered artifact. Shackleton's capacity for developing threads and ideas over long form pieces remains a great strength, and this has been a compelling facet of his music since the masterful Music For The Quiet Hour. ![]() Anika's Nico-esque vocal works very well in this context, and the overall sense is surreal and otherworldly. ![]() It follows on from works with spoken word artist Vengeance Tenfold and with singer Ernesto Tomasini and, for me, is by some distance the strongest of these experiments. ![]() Shackleton with Anika - Behind The Glass (Woe To The Septic Heart) This intriguing set finds Sam Shackleton continuing to develop his modern electronic take on devotional music and his preoccupation with collaborating with vocalists.
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